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Greatest Show On Broadway
| demanding library nibblets | 07/21/12 |
| sticky gas station mental disorder | 07/21/12 |
| demanding library nibblets | 07/21/12 |
Poast new message in this thread
Date: July 21st, 2012 2:25 AM Author: demanding library nibblets Subject: Greatest Show on Broadway
http://www.youtube.com/watch?v=7jZpVxSkGbA&feature=relmfu |
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Date: July 21st, 2012 2:29 AM Author: sticky gas station mental disorder youre lucky james damiano never made any money because if he did he would have left your ass for a woman 100 pounds lighter. (http://www.autoadmit.com/thread.php?thread_id=2000391&forum_id=2#21136985) |
Date: July 21st, 2012 2:35 AM Author: demanding library nibblets Subject: Bob Dylan Caught Stealing Songs Again Bob Dylan Caught Stealing Songs Again
http://www.jamesdamiano.yolasite.com/
Bob Dylan Admits To Plagiarizing Greatest Hits
“Well you have to understand that I’m not a melodist. My songs are either based on old Protestant hymns or Carter Family songs. What happens is, I’ll take a song and simply start playing it in my head. That’s the way I meditate.” “I wrote ‘Blowin’ in the Wind’ in 10 minutes, just put words to an old spiritual, probably something I learned from Carter Family records. ‘The Times They Are A-Changing’ is probably from an old Scottish folk Song.” "I'll be playing Bob Nolan's 'Tumbling Tumbleweeds,' for instance, in my head constantly, while I'm driving a car or talking to a person or sitting around or whatever. People will think they are talking to me and I'm talking back, but I'm not. I'm listening to the song in my head. At a certain point, some of the words will change and I'll start writing a song.".......Bob Dylan
http://articles.latimes.com/2004/apr/04/entertainment/ca-dylan04/5
Bob Dylan Blog Bomb Reuters
http://blogs.reuters.com/fanfare/2009/05/23/bob-dylan-poem-not-first-artistic-borrowing/
Dylan Admitted in an Interview That He Plagiarized
And also Dylan Admitted in an Interview That He PlagiarizdHis Greatest Hits
“Well you have to understand that I’m not a melodist. My songs are either based on old Protestant hymns or Carter Family songs. What happens is, I’ll take a song and simply start playing it in my head. That’s the way I meditate.” “I wrote ‘Blowin’ in the Wind’ in 10 minutes, just put words to an old spiritual, probably something I learned from Carter Family records. ‘The Times They Are A-Changing’ is probably from an old Scottish folk Song.” "I'll be playing Bob Nolan's 'Tumbling Tumbleweeds,' for instance, in my head constantly, while I'm driving a car or talking to a person or sitting around or whatever. People will think they are talking to me and I'm talking back, but I'm not. I'm listening to the song in my head. At a certain point, some of the words will change and I'll start writing a song.".......Bob Dylan
Bob Dylan Refuses To Return Songs To Plaintiff James Damiano (Thirty Five Years of Work)
http://www.youtube.com/user/lawjournal1?feature=watch
http://www.jamesdamiano.yolasite.com
FOLK LIES: Joni Mitchell Accuses Bob Dylan of Being A Plagiarist
by Jonny Whiteside
“Bob [Dylan] is not authentic at all. He’s a plagiarist, and his name and voice are fake. Everything about Bob is a deception. We are like night and day, he and I.” — Joni Mitchell, Los Angeles Times, April 22, 2010
Just type “Bob Dylan plagiarism” into your friendly search engine, and a plethora of questionable circumstances pop up, enrobing the singer almost as completely as his years of reflexive media fawning have. Documented from his teenage start, when he submitted a hand written, thinly revised version of country star Hank Snow’s “Little Buddy” for publication as an original poem, to his 1963 pilferage of Irish poet Dominic Behan’s “Patriot Game”’s melody for the similarly slanted Dylan tune “With God on Our Side” to songwriter James Damiano’s ongoing multimillion dollar copyright infringement suit (alleging Dylan’s Grammy-nominated “Dignity” is nothing but an altered version of Damiano’s “Steel Guitars”) to the naked “Red Sails in the Sunset” melody heist for the song “Beyond The Horizon” on his Modern Times album, up through the recent Confessions of a Yakuza-Love & Theft plagiarism charges (Love & Theft? Calling Dr. Freud!), the Timrod controversy, even the numerous passages of Proust and Jack London that (re) appear in the text of Dylan’s autobiography, it’s a deep, dark thicket of thoroughly damning and apparently chronic bootlegging. Naturally, Dylan has said nothing publicly about any of these, but he already spent over three million dollars defending himself against one-time affiliate Damiano–the classic delay-to-destroy court room technique.
http://www.jamesdamiano.yolasite.com
Rolling Stone Covers Up Rock and Roll Story of the Decade
Bob Dylan's Stealing of James Damiano's Songs
http://www.jamesdamiano.yolasite.com |