"DMT is naturally occurring in small amounts in rat brain, human cerebrospinal fluid, and other tissues of humans and other mammals.[27][53][54][105] A biochemical mechanism for this was proposed by the medical researcher J. C. Callaway, who suggested in 1988 that DMT might be connected with visual dream phenomena: brain DMT levels would be periodically elevated to induce visual dreaming and possibly other natural states of mind.[106] A role of endogenous hallucinogens including DMT in higher level sensory processing and awareness was proposed by J. V. Wallach based on the proposed role of DMT as a neurotransmitter.[107]"

(http://www.autoadmit.com/thread.php?thread_id=2727285&forum_id=2#26715615)

The most practical advice, the hottest tip, for a big date is the coffee enema. The coffee enema is a man’s push-up bra: it generates intangible smoothness and grace. After a coffee enema, anything can look effortless. Coffee enemas produce composure, sangfroid, steadiness, and even spiritual transcendence. It is easy to carry yourself as Obama after a coffee enema because there is a certain even-tempered power to it. After a coffee enema, you can walk up to a woman and introduce yourself with “I just had to meet you” and she will feel something different in the air, a relaxed, non-threatening purpose in your rhythm, and she will be interested in your agenda open-mindedly. In short, the coffee enema is a little known secret to throwing yourself at a stranger then playing it cool by opening with “I just had to meet you.”

It’s time to revisit The Game: Penetrating The Secret Society Of Pick-Up Artists and Get Laid Or Die Trying with knowledge of the coffee enema, specifically that its very existence means that they have yet to pull their heads out of their asses. The Game is too logical, as if women really buy in to rational pretexts for conversation instead of open-mindedly meeting you halfway by playing along with your total sensibility. The Game’s emphasis on what to say to women does little for the intangible dimensions of interpersonal reality that are hard to put to words, such as the soft charm around your eyes, which are addressed by the coffee enema. Get Laid Or Die Trying is too edgy, always pushing the envelope of what it can get away with, never dissecting the nuances of how to play it cool, which would start with the coffee enema.

This book aims to tackle issues such as the nuances of how to play it cool and other intangible dimensions of interpersonal reality, but the book format is really well not suited for it. A central problem of this book is that a picture is worth a thousand words and a video is a thousand pictures. Words cannot capture the nuances or complexities, the thousand shades of grey, that exist in the “energy” of social interactions, and the “energy” of interactions is difference between failure and success at picking up women. David DeAngelo solves for this problem by referencing a repertoire of movies in his seminars. In this book, I have decided to reference media you will need to track down. The pick-up artist Juggler had an hour long special on the BBC titled “Size Doesn’t Matter,” which is now available at various locations on the Internet including YouTube. In Size Doesn’t Matter, there are clips of Juggler’s guest instructor Johnny talking to women. In comparison to the three students, Johnny is able to maintain his bearings and project a slow, easygoing, effortless, good-natured vibe. Of the thousand shades of grey possible on the topic of interpersonal energy, Johnny’s vibe is easy to reference example of easy-going and effortless energy. Johnny gets an A+ for his vibe.

It is generally assumed by Size Doesn’t Matter that the three students learning pick-up could gradually de-sensitize themselves to their apprehensions and worries, all the cognitive dissonance going on in their head when they think about picking-up women, and over time gradually acquire something like Johnny’s vibe, free and clear of their previous anxieties. I disagree. Between 2005-2008, I lived in New York City and went out all the time, leaning in to my fears and throwing myself into situations that produced anxiety. I spent three years going out on the theory that I could acquire a better vibe by de-sensitizing myself to situations that produced anxiety. It worked to a very limited extent. However, never once was there a situation that I had built up in my mind as a disaster, full of cognitive apprehensions and anxieties, that I threw myself into and then had go well enough that I forever knew better, learning my lesson such that I forever neutralized certain apprehensions and anxieties. Anxiety isn’t so rational that it learns a lesson from past situations. Apprehensions are not so easily conquered.

The lesson I learned after literally thousands of approaches is that your vibe is the product of biological energy, which is mostly altered by psychiatric interventions such as drugs, alcohol, diet, exercise, meditation, enema, and supplement habits. Drugs and alcohol works so well that they are the gold standard, the problem categories that can easily catch up with you. Diet, exercise, meditation, enema, and supplements all work to a moderate degree, but, given that they constitute the full spectrum of what is even possible outside of drugs and alcohol, they have to be MADE to work, even when they are only moderately effective.

Something like the golden rule is the case: “What you experience, they experience.” If you walk up collected, cool, and effortless, you will be received well, and the targets’ minds will be set at ease. Being at ease somehow is your responsibility. It is possible to lean into your fears, experiencing anxiety, and still be a success, it’s just that the success will always come despite the anxiety, overcoming the hurdle of anxiety that interferes with the underlying “what you feel, they feel” rule to the situation.

When I lived in New York City I went out all the time to amass reference experiences that would form the basis of a new level of social intelligence. One memorable night I was out at Hotel Gansevoort doing the short set method. Short set method is when you talk to everyone in the room briefly, then wait for some of the women you’ve briefly talked to re-engage you later on, perhaps even after they witnessed you talk to the entire room. If a woman does watch you talk to the entire room, it is possible you will be seen as a desperate cold approach pick-up artist but it’s also possible to build “social proof” as a cool, friendly, outgoing guy. Short set method was commonly accepted by underground pick-up artists as a different style than Mystery Method or The Game, which calculated the right opener and follow up material as if ideally you would only talk to one woman the entire night.

I was at Hotel Gansevoort and ran in to someone else talking to every woman in the room but who was not a member of the underground pick-up artist community. The guy picked ME up by saying “DUDE, YOU’RE A BEAST. You’re one of the best around.” He then offered value by suggesting that we bounce to another club in the area. It was the offering of value, not the flattery, that sucked me into his orbit. I was game because I didn’t know the clubs in the area very well.

In the four years I spent going out in New York, this guy was memorable for being the only guy to pull a fairly obvious 2+2=4 type of move: he used cocaine to approach. He already had a good coke high going when I met him, and he would regularly run to the bathroom to do another bump, promising everyone that he intended to share the cocaine with us as he excused himself to the bathroom. Every time he got back he immediately threw himself at a new woman in the room. He was opening with “It’s my birthday!”, and he had stellar opening success. Women never blew him off up front, which I cannot say was true of me at the time. His energy and charisma cut right in and dominated. The problem occurred about two to five minutes in. He didn’t have a balanced energy. It’s like something was off kilter. The cocaine exaggerated more aggressive aspects of his personality and failed to come off well-rounded. Instead of seeming light and effortless, it seemed heavy and anxious, a dysfunction that took a few minutes to register consciously but was impossible not to see after you first saw it. Two to five minutes after opening a set, he returned empty handed, forced to eject by signals of disinterest.

The cocaine user’s social energy has never left my mind. The thought experiment of what it would take to get the cocaine user to stay in set is the central issue in this book. The cocaine user opened fantastically with “It’s my birthday!” He cut right in and injected a better energy than the group had on its own. It’s just that he started to come off as sweaty instead of well put together, imbalanced instead of cool and confident. I know now that if he had a coffee enema in him, he would have come across with a well-rounded energy, peaceful, effortless, and serene. He would have stayed in set. His energy would have been so much better that women would have rationalized it the other way, hoping he would stay around.

The question of what it would take to get the cocaine user to stay in set projecting a balanced energy is related to two more scenarios. The first scenario comes from The Blueprint Decoded. In The Blueprint Decoded Tyler Durden recounts how he went through a phase where he felt terrible for anybody who had spent any time studying the materials in the “success with women” industry because doing better with women is not synonymous with trying harder. Instead, it is possible to do much better with women by sucking them in to an around the shoulder embrace as they walk by and saying “Who are you?” as if it is now her chance to impress. The around the shoulder “Who are you?” is extremely simple and devastatingly effective in relation to much more complex theories such as David DeAngelo’s cocky/funny, Mystery Method’s attraction/comfort/seduction paradigm, and even Real Social Dynamics’ linear pickup model. The issue with “Who are you?” is that your interpersonal energy needs to be finely tuned or it can fail right off the bat. Later in The Blueprint Decoded, Tyler Durden identified one way to explain finely tuned interpersonal energy: it feels like continuous access to the present moment, uninterrupted, flowing, moment-by-moment, and smooth. To suck a woman in to an around the shoulder “Who are you?”, you need to be finely tuned to the present moment. Stuttering off rhythm would kill the grace required by the approach.

The Blueprint Decoded is ingenious at explaining, finally putting to words, the phenomenology of pick-up. There is a certain level of cognitive satisfaction in knowing that all you need is superior “access to the present” moment in order to pick-up like The Blueprint Decoded. The problem is that knowing the issue is “access to the present moment” is not the same as being able to access the present moment. It’s like knowing you’re funnier after three drinks is not the same thing as actually being three drinks in to the night. In short, knowing that the solution is access to the present moment is still a mile away from actually solving the issue. The Blueprint Decoded stops short of identifying what it takes to have superior access to the present moment and even fails to account for the most obvious solution: three drinks or so facilitates a fluid, easygoing “in the moment” consciousness without self-consciousness. That is to say, in order to pull off the “Who are you?” opener and suck her into a reality in which now is her time to impress you, three drinks will set you up with the right disposition: fluid, funnier, more on rhythm, more intangibly charismatic, conscious without being self-conscious. The intangible charisma I’m describing here is also what is missing from the cocaine user’s pick-up: a balanced, warm, easygoing energy, more like Johnny’s energy from Size Doesn’t Matter and less heavy and less anxious.

The intangible charisma missing from the cocaine user’s pick-up and the intangible energy necessary to pull off “Who are you?” as an opener are related to one final scenario. In 2007, I used the RSD forums to address self-identified “sticking points,” areas that I needed to improve. I was dating a new woman, Sara, and questioned the RSD forums about something she said to me. After we were done having sex, which I should more politely refer to as making love from here on out, Sara rolled over in bed and said to me “Sex to me is about being close. I use sex to feel closer.” She brought the issue up as something randomly on her mind. It wasn’t phrased as a complaint, although it was in the ballpark of complaints. The “problem” was that I was having sex with a difficult to diagnose flawed interpersonal energy, which might be explained as disconnection from the present moment, which might be explained as feeling “on edge” instead of “at ease,” which might be explained as lacking warmth, which might be perceived as lacking in closeness. I didn’t feel completely like myself, which means I couldn’t create the feelings of connection that she sought.

It wasn’t until years later that I discovered how to create the warm energy that she would perceive as closeness and connection in the bedroom. As a veteran pick-up artist, I can now singlehandedly produce the “chemistry” we are both experiencing. I really can experience enough chemistry for us both. The lesson I know as a veteran is that if the spanish fly really were to exist, it would be something I take to experience first and then experience in abundance for the both of us. I know of four ways to create the warm, “connected” energy in the bedroom, to produce a balanced, effortless, sensible energy even on cocaine, to pull off the “Who are you?” opener, and to project Johnny’s common sense, easygoing total sensibility from Size Doesn’t Matter.

A Balanced Energy

There are four primary ways to create a present moment mind/body connection useful in pick-up. The first is three drinks of alcohol. The second is the coffee enema. The third is exercise on the elliptical machine with the supplement sulbutiamine. The fourth is binaural meditation with products such as Holosync.

Three Drinks

The first way to create superior access to the present moment has to be brought up despite the fact that it is obvious. Three drinks or so into the night you are more fluid, more on rhythm, funnier, more conscious without being self-conscious than was possible before the three drinks. This should be obvious to anyone who has ever used alcohol as a social lubricant. It has to be specifically mentioned because figureheads such as Tyler Durden from Real Social Dynamics teach pick-up without alcohol, so it never occurs to them to bring up the advantages of moderate alcohol use. Three drinks into the night is not an experience that is built in to their model of pick-up. However, three drinks in to the night is the gold standard of superior access to the present moment. It sets the bar for what the remaining three approaches attempt to accomplish. I wish I could always be three drinks into the night, and I continually search for healthy alternatives that produce the effect of three drinks.

The Coffee Enema

The second way to create superior access to the present moment is the coffee enema. Intimidating at first, the enema is actually easy, breezy, beautiful, and good for the soft charm around your eyes. A coffee enema cleans out mental cobwebs so well it has to be the intended issue behind the phrase “your head is up your ass.” The first twenty or so coffee enemas you will ever do will produce mental stillness, equanimity, mood stabilization, and serenity. After the first twenty enemas, the effect greatly diminishes. I would recommend using the first twenty or so enemas wisely, rationing them out for big nights out on the town or big dates.

Purchase an ordinary enema bucket. Rather than fill the enema bucket with water, fill it with a quart of coffee that has cooled to room temperature. Lay down a towel between yourself and the cold bathroom tile. Bring a pillow. Set aside hand towels for the cleanup of small messes. Pour cooking oil into the palm of one hand, rub the palms of both hands together, apply the oil to your bum and anus, and finally oil the plastic tube that will be inserted into the anus. Insert the tube standing up, lay down on your towel and pillow, and listen to music. Music is an effective and recommended distraction to the occasional pains that accompany an enema.

One nice innovation improving upon the traditional coffee enema is the use of reishi (ganoderma) coffee. With reishi coffee, you will feel the effect of the reishi mushrooms on your nervous system immediately, unlike eating reishi mushrooms where the effect delayed via digestion. Reishi produces a noticeable lightness of being in the nervous system.

Our family has experimented with various modifications to the basic coffee enema. Few of them are worth mentioning except one. My father reports that adding 400mcg to 1,200mcg of nascent iodine to the coffee also produced a heightened level of serenity out of an enema. I have not noticed this effect myself, however. If it exists at all, it is not as obvious as the reishi. We have similarly added many supplements to the enema with little effect.

Exercise On The Elliptical Machine With Sulbutiamine

The central premise of Eckhart Tolle’s book A New Earth is that the normal state of mind for most humans most of the time contains a strong element of dysfunction or madness. To circumvent the madness of thought, the error of rationalization, which is always fundamentally flawed, Tolle proposes that we identify with the presence beneath thought. Tolle proposes that the shift of consciousness from thought to the presence beneath thought is like “shifting attention from the external form of your body and from thoughts about your body … to the feeling of aliveness inside it.” To notice this aliveness “go to the hands directly. … [B]ecome aware of the subtle feeling of aliveness inside of them.” Next, “incorporate other parts of the body … until you are aware of the inner body as a global sense of aliveness.”

Tolle identifies a shift I think is important, the shift from thought to the presence beneath thought, but fails to take into account one of the most important ways to make this jump: vigorous cardio exercise. A great workout can leave you feeling like a million bucks: your mind will quiet and your body will become the vessel through which you encounter reality without thinking about reality. The quickest way to end the mediation of thought between yourself and reality is 30 minutes on the elliptical machine. Exercise silences the discordant, jumbled, anxious mental chatter that defines everyday consciousness. You will find that about 20 minutes in to a workout your mind has ceased to be overactive, that your breathing occupies more of your awareness, and that you settle in to “the zone” of peak experience. Exercise can be meditative.

The best way to enhance the effect of your mind quieting, the effect of “the zone” is a little known supplement called sulbutiamine. Sulbutiamine is a modification of vitamin B1, thiamine, which was invented by Japanese researchers to combat thiamine deficiencies. Sulbutiamine crosses the blood-brain barrier at a greater rate than thiamine, and it then feeds thiamine reserves in the brain at an enhanced rate. Researchers distinguish between short term and long term thiamine reserves in the brain. Sulbutiamine enhances short term thiamine reserves. Studies have found increased concentrations of dopamine receptors in the brain after the supplementation of sulbutiamine. Sulbutiamine greatly enhances access to the present moment on the elliptical machine, creating a mind/body sense of centeredness, a steadiness, quietness, a version of body identification prior to thought, supporting thought, that Eckhart Tolle completely neglects to mention.

After you hop off the elliptical machine using sulbutiamine, you will have a greatly enhanced sense of wellbeing that should last at least an hour. That sense of wellbeing, the quietness of mind, the body identification, the centeredness, that experience is an attractive experience to project. It would be ideal to hop off the ellipitical machine and into a woman’s arms directly, but this isn’t often possible. What is possible is the use of sulbutiamine and the elliptical to maintain a baseline sense of wellbeing that is attractive, almost as if you have found a stable sense of purpose and challenge in life that you’re capable of living up to simply by exercising on the elliptical machine.

Binaural Meditation With Products Like Holosync

A fourth way to induce a heightened connection to the present moment is an hour of meditation with products like Holosync. Holosync is an industry standard now because it was a pioneer, a pathbreaker, an innovator in the field of binaural beats. Holosoync does an excellent job of marketing itself, which I encourage you to read at www.centerpointe.com

Human brainwaves can be measured by an EEG machine on a scale of 0 to 40 hz. Brainwaves are classified as beta, the highest, alpha, theta, and delta, the lowest. In the everyday brain, there is activity along the full range of 0 to 40 hz, but there is also a special importance on the dominant brain wave. Somewhere in the spectrum of 0 to 40 hz will be a single frequency responsible for an individual’s general state of mind, the dominant brainwave.

Beta brainwaves are the spectrum of 13-40hz, and even 40 to 100 Hz. Beta brainwaves are associated with “alertness, arousal, and concentration” even “anxiety, unease, and lack of inner peace.” Alpha brainwaves range from 8 to 12.9 Hz. They are associated with introspection, “focus, ‘superlearning,’ and meditation.” Theta brainwaves range between 4-7.9 Hz, which are associated with “dreaming sleep, increased creativity, some kinds of learning, and extremely deep meditation.” Finally, delta waves range from 0.1 to 3.9 Hz and are associated with “dreamless sleep and many autonomic nervous system functions.”

The first scientific phenomenon necessary to understand Holosync is brainwave entrainment. Specifically, if you listen to a steady drum beat for about 10-15 minutes, your dominant brain wave will “entrain” or eventually synch up with and match the rhythm of the drum beat. Think of tribal dancers in Africa inducing altered states of consciousness with nothing but rhythmic drumming, They sync up with a steady beat and slow down their dominant brain wave to a more purposeful, deliberate, measured, relaxed frequency.

The second scientific phenomenon necessary to understand Holosync is binaural entrainment. The two hemispheres of the brain process sounds separately. If you put 100 Hz in one ear, and 110 Hz in the other ear, the brain will hear two separate sounds, one sound processed by the left hemisphere and the other sound processed by the right hemisphere. The brain will then merge the two separate frequencies into a single sound with a 100 Hz “carrier frequency” with a silent 10 Hz beat. After about 10 to 15 minutes, the brain will then entrain to the silent beat created by two separate sounds as if it were a normal drum beat. Two sounds of 100 Hz and 120 Hz create a silent beat of 20 Hz, which will induce a dominant brain wave of 20 Hz on an EEG machine. Likewise, two sounds of 80 and 85 Hz will induce a dominant brain wave of 5 Hz. A Holosync soundtrack begins with a silent beat of 20 Hz, a normal alert, awake, beta frequency dominant brain wave, and gradually slows down to 0.3 Hz, a serene, still, delta frequency dominant brainwave.

The third phenomenon that makes Holosync different from other binaural products is the effect of progressively lower carrier frequencies. Bill Harris explains that he was a veteran of many different meditation methods such as Transcendental Meditation, in which meditators focus on their breath until their mind quiets. Waiting on the mind to quiet by doing nothing but focusing on your breath can be long and frustrating. It’s not an effective method, but it was the only method possible to achieve an altered state of consciousness. Harris found that a basic combination of two frequencies such as 100 Hz and 110 Hz quieted his mind as much as a lengthy period of traditional Transcendental Meditation spent focusing on his breath. He supplemented his traditional meditation sessions with the binaural soundtrack to facilitate a quiet mind quickly, which was the ultimate goal of meditation in the first place. The binaural soundtrack worked perfectly, with one hitch. In about six months it ceased to be effective. Its effect had worn off. Harris then discovered that the effect still existed at a lower combination of frequencies. Although the effect had worn off at 100 Hz and 110 Hz, the effect still existed at 100 Hz and 90 Hz. When dropping the carrier frequency but still using the same differential in the two sounds to create an identical silent beat, Harris restored the effect that disappeared over time with the higher carrier frequency. The serenity of the new, lower carrier frequency would again wear off in another six months, and the only way to resolve it was to drop the “carrier frequencies” even lower, this time to 90 Hz and 80 Hz.

Harris starts selling the product Awakening Prologue with something like a 120 Hz carrier frequency. He then sells individual levels titled Awakening, Purification, and Flowering, each of which drop the carrier frequency lower. The exact carrier frequencies used remain a trade secret, but more than likely go as low as the ear will go, around 20 Hz or so. According to the marketing each level results in more and more profound spiritual development.

Holosync calls the first soundtrack in offers The Dive. The point of The Dive is to take you from a normal 20 Hz dominant brainwave down to a .3 Hz dominant brainwave in about 30 minutes. The second soundtrack that Holosync offers is called Immersion. The point of Immersion is to keep you at a 0.3 Hz dominant brainwave for another 30 minutes. One hour of Holosync is a typical session. It generates a heightened and pleasant experience of stillness, equanimity, trance, and serenity. I liked to listen to two hours of Holosync to deepen the trance effect. After two hours of Holosync, I could maintain a tranced out, spaced out, stillness for another two hours.

The effect of Holosync levels is tremendous. I was living in New York City when Real Social Dynamics first started pushing Eckhart Tolle in 2008. I had been meditating with Holosync prior to Eckhart Tolle’s popularity. The overlap between Eckhart Tolle and Holosync seemed obvious to me. Holosync was scientific technology that quieted the mind, silenced cognitive chatter, producing stillness, serenity, and equanimity, while Eckhart Tolle was teaching that spirituality was the presence prior to thought, a perfect fit.

Tyler Durden wrote a blog post titled Eckhart Tolle Principles in which he broke down the principles of Eckhart Tolle as applied to pick-up. Tyler broke down Eckhart Tolle in his own way, but the central theme was “staying present” enough not to experience approach anxiety, then being “non-resistant” enough to be resourceful and play the situation to the hilt moment-by-moment, “staying present” enough to avoid rationalization that will thwart an ongoing pick-up like a deal breaking hiccup, “staying present” enough to listen to a woman without thinking a step ahead, “staying present” enough to unleash basic instincts like a caveman, and “staying present” enough to access a supernatural level of creativity. The central theme, of course, is “staying present,” which is completely accomplished by listening to Holosync. In fact, the deeper the level of Holosync, such as Awakening, Purification, Flowering, with 120 Hz to 80 Hz to 50 Hz to 30 Hz carrier frequencies, the more intense the level of stillness or presence you can access.

Bill Harris uses spiritual language to describe the peaceful effect produced by Holosync. The serenity of Holosync is “not at odds with the world.” Holosync meditators are engaged in the world, but “not attached to the outcome.” Holosync meditators are “compassionate,” “[helping] others with their suffering.” They are not “an automatic response mechanism” “responding to the world based on unconscious rules, fears, beliefs, and limitations.” They consciously evaluate every situation “in the moment” and obtains “the most resourceful outcome.” They benefit from a stable “calm,” an “underlying effortless happiness.”

In 2008, I was tranced out from about two hours of Holosync and riding Manhattan’s 6-train thinking about Tyler Durden’s Eckhart Tolle post when I first decided to apply it to pick-up. Without experiencing approach anxiety, I opened instinctively, conscious without being self-conscious. The first thing that came to mind was “I just have to meet you.” I erred on the side of not thinking ahead. I really did make errors, deformities in my interpersonal energy that were out of sync with the situation, that were the fault of not thinking ahead. I stayed present through moments of lull and anxiety. I showered her with serene, Holosync attention, and made out with her in a cab after we got off the train together.

There is a difference between night game and day game. In night game, at a bar or a club, Real Social Dynamics likes to emphasize “state.” Staying in state is about maintaining a positive surge of good emotions, talkative and upbeat, to share with the women being approached. The daygame Real Social Dynamics should teach should be Holosync, the premise of which is staying chill, serene, peaceful, and playing it cool, showering a woman with a stable, buoyant baseline of good energy. I take Johnny’s performance on Size Doesn’t Matter to be an ideal example of daygame. He plays it cool.

I am including with this book a set of binaural meditation sessions that mimic Holosync’s Awakening Prologue, Awakening, Purification, and Flowering levels. I start with a 120 Hz carrier frequency and create sessions that go all the way down to 20 Hz as the carrier frequency. The primary difference between my soundtracks and Holosync’s soundtracks is that Holosync starts every session off at 20 Hz then over a thirty minute period drops the user down to 1.5, .5, or .3 Hz, remaining down at 1.5, .5, or .3 Hz for another thirty minutes. Dropping down to 0.3 Hz in thirty minutes then remaining at 0.3 Hz for thirty minutes substantiates Holosync’s claim to “meditate deeper than a zen monk.” In contrast, my sessions are one hour long and start at 18 Hz, then drop down to 10 Hz, 5 Hz and 3 Hz for fifteen minutes each. The frequencies I use are specially chosen to produce pleasurable endorphins. The soundtracks included with this book are specifically designed to produce the greatest pleasurable, feel good, serene experience possible, which could be directly used to chill out on Manhattan’s 6-train and “stay present” with a tranced out serenity like Eckhart Tolle for an entire pick up.

Daygame

Juggler teaches a method of pick-up that is uncomplicated. Basically, some point after starting a conversation the student has to SOI, make a Statement of Intent, which is along the lines of “you’re sexy.” The purpose of a Statement of Intent such is to cross a sexual boundary and remove any ambiguity about sexual intentions so that from there on out the interaction cannot be interpreted as platonic. Juggler’s method does not attempt to describe charisma or to dissect the intangible dimensions of social interaction that constitute sexual chemistry. He simply insists that the student SOI, which prevents a woman from assuming a student into the friendzone, a reoccurring issue when no SOIs have been made. I argue that the bulk of pick-up in Juggler’s paradigm, the heavy lifting that happens in any successful pick-up, is left undescribed, as it is too difficult a subject to tackle. For instance, what is Johnny doing exactly when he plays it so cool? How did Johnny arrive at his attitudes about women and pick-up? How does a student repeat the intangible factors that lead to Johnny getting a woman’s number, while other students spin their wheels in the mud dealing with anxiety issues?

I have identified four ways to generate the intangible charisma that has been formulated as “access the present moment”: three drinks, the coffee enema, exercise with sulbutiamine, and binaural meditation with Holosync. These four ways deal with intangible dimensions of interpersonal interaction not tackled by Juggler’s method. These four ways are no-nonsense, high potency ways to generate a glowing, radient, serene, still, cool vibe, which Jeff from Real Social Dynamics calls the “searing hot coal” nimbus. If you do any two of the four together, you will have a world class interpersonal energy, relaxed, cool, and confident. The interpersonal energy I have identified can give SOUL and “energy” to any method, including Juggler’s, which crucially revolves around the SOI.

I can only teach what I know. My reference experiences include gaming women on the subway platform in New York City. The subway platform in New York City is the quintessence of daygame. Daygame is its own beast. Johnny’s vibe in Size Doesn’t Matter is an expert’s daygame vibe. It is impossible to run around talking to people in order to throw yourself into “state” on the subway platform. Some other type of social energy is necessary. I argue that doing two of the four methods identified above will let you summon the necessary social energy from within and lay it on thick. In the Biff Tannen method, it is still the case that your “energy” is your game. Doing two of the four methods identified above will let buzz from the inside out with positive energy. After you’re buzzing from the inside out, all you have to do is walk up and say “I just have to meet you.” then not think ahead, playing the situation moment-by-moment. If “I just have to meet you” feels like a canned line and not something you would instinctively, consider something more genuine, perhaps expressing uncertainty and saying “I don’t know how to do this, but I have to meet you.” When you say “I just have to meet you” you are THROWING yourself at her, but the effect is moderated by the fact that the vibe you’re going to project is so cool from the inside out. Saying “I don’t know how to do this, but I have to meet you.” shows off your soft underbelly, a hint of vulnerability, that can be charming and attractive if there’s otherwise a sensibility to the approach.

The Philosophers' Stone

The search for the philosophers' stone was the quintessential pursuit in the occult spiritual tradition of alchemy. The Emerald Tablet of Hermes is one of alchemy’s most famous texts. The Emerald Tablet identifies as unique the assembly of “three parts of the philosophy of the whole world.” I have “three parts of the philosophy of the whole world.”

1 – What Is Consciousness by Bill Harris – http://www.rsdnation.com/files/biff6.doc

2 – Decoding the Blueprint: Part VI by Drama – http://www.rsdnation.com/files/biff7.doc

3 – Eckhart Tolle Principles by Tyler – http://www.rsdnation.com/node/71430

Psychologist Carl Jung refered to the philosophers' stone as the “living, philosophical stone,” which implied continuity with the “living stones” of 1 Peter 2 and alchemy’s philosophers' stone. The living stones in 1 Peter 2 include the single Greek word that is translated variously as keystone, capstone, and cornerstone, the origin of the capstone to the pyramid in the Great Seal of the United States on the dollar bill. The philosophers' stone is associated with the cornerstone in Psalm 118 for similar reasons.

(http://www.autoadmit.com/thread.php?thread_id=2727285&forum_id=2#26925694)

the guy is on to something, the power of now is the greatest power there is, the power to get pussy. convincing a female to like you is an important first step in getting to her pussy.

(http://www.autoadmit.com/thread.php?thread_id=2727285&forum_id=2#29340386)

It is then - each and every single time - that I once again declare "Not Flame."

(http://www.autoadmit.com/thread.php?thread_id=2727285&forum_id=2#28864269)