want to know Franz Liszt's work better - what should I listen to first?
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Date: February 7th, 2026 10:03 AM Author: magenta regret
Hungarian Rhapsodies performed by Cziffra
In fact any Liszt performed by Cziffra
(http://www.autoadmit.com/thread.php?thread_id=5831690&forum_id=2"#49653290) |
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Date: February 7th, 2026 10:32 AM Author: magenta regret
I have to interrupt here as a classical music snob. Hungarian Rhapsody no. 2 is among the most famous of Liszt's pieces, and this performance might satisfy the ear of the casual listener, but it lacks the finesse of the grand interpreters of Liszt and will likely leave the listener entertained but not fully engaged with classical music. In particular, this performance is too mechanical, poorly phrased, and clearly at the technical limits of the performer. These factors combined limit the listener from appreciating the nuances of Liszt (despite him being historically called a "superficial and just flashy" composer) and will likely keep the listener from exploring classical music further.
With that in mind, the "golden age" of Liszt interpretations was in the mid-to-late 20th century, with a few, more recent exceptions like Marc-Andre Hamelin.
I would have to recommend Cziffra or Horowitz as the finest interpreters of this particular Hungarian Rhapsody. Cziffra if you want to hear someone who's unfazed by the technical challenges of the piece, and Horowitz if you want the "flashy" performance.
Hamelin's most notable recording is hard to compare to others as his has a sizable cadenza added by Hamelin himself, so it strays from the piece as originally intended. His recording, however, does demonstrate the peak of piano virtuosity in the most recent decades.
(http://www.autoadmit.com/thread.php?thread_id=5831690&forum_id=2"#49653317) |
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Date: February 7th, 2026 1:10 PM Author: Razzle shivering dopamine
Continuing off topic, what are your favorite solo piano performances of all time involving any composer/performer? Or if that's too absolute, some more pieces you'd recommend? I don't know hamelin at all and it's fantastic.
For me it's Rachmaninoff etudes-tableaux, Kissin playing Bach's Chaconne, Gould playing Bach, Rubinstein playing Chopin, Brahms: 4 Ballades, Op.10 (Kovacevich, Michelangeli, Tiberghien, Zimerman)
Ashish Xiangyi Kumar (video taken down)
- will keep thinking and update.
(http://www.autoadmit.com/thread.php?thread_id=5831690&forum_id=2"#49653499) |
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Date: February 7th, 2026 1:37 PM Author: magenta regret
My favorite pieces (i.e., stuff I listen to the most) are Scarlatti's keyboard sonatas performed on a harpsichord. They were written for the harpsichord, and the sonatas lose so much character when played on a piano, as is common today. Scott Ross recorded all 555 of them (on a harpsichord), and he's a safe bet as a starting point, but there are plenty of exceptions. I could list off countless sonatas.
I have to admit that, for solo piano, I have a preference for pieces from the 20th/21st centuries, and that type of music is not as "easy" to pick up as the composers you mention. I fell in love with more modern classical music as a freshman in high school, and I still love it today. So I usually need to give a warning that this music is definitely not for everyone and sometimes garners a very negative reaction.
With that out of the way, I can list off three favorites for solo piano:
"Evryali" by Iannis Xenakis, performed by Takahashi (should be on YouTube).
Charles Ives's Piano Sonata no. 2 (AKA the "Concord Sonata"), particularly Stephen Drury's recording from about 15 years ago. Doubt you can find this online today.
Coincidentally, another Piano Sonata no.2 is another favorite, but this one being composed by Kaikhosru Sorabji. There's only one recording of this, and you definitely can't find it online.
Happy to upload those recordings if you're still curious. I would add a warning that Ives gives the pianist extensive artistic freedom in interpretation of his sonata, so two recordings can sound very different. I think Drury's recording is the definitive, flawless recording.
(http://www.autoadmit.com/thread.php?thread_id=5831690&forum_id=2"#49653541) |
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Date: February 7th, 2026 2:21 PM Author: magenta regret
Here are the two sonatas I mentioned. Ives is more palatable, but it sounds like you might not like either. The Sorabji sonata intentionally lacks a common theme to string together the piece, so it may seem directionless.
Ives Piano Sonata no. 2: https://files.catbox.moe/b12koz.mp3
Sorabji Piano Sonata no. 2: https://files.catbox.moe/u3jeu8.mp3
Usually this is too bizarre and dissonant for most people.
(http://www.autoadmit.com/thread.php?thread_id=5831690&forum_id=2"#49653628) |
Date: February 7th, 2026 12:48 PM Author: Razzle shivering dopamine
https://www.youtube.com/watch?v=EbS2uc7MkdM Rhapsodie espagnole (Spanish Rhapsody), S.254, performed by Evegeny Kissin.
I'm not sure if that's one of Liszt's best pieces, but I like it because the melody for la folia is classic and I think it's great that he worked it in there in a new place, like a throwback or an homage or a reinterpretation.
This version dating from ~1672
https://www.youtube.com/watch?v=P1ngcsx1Drs
Plenty of other versions, history here https://en.wikipedia.org/wiki/Folia
(http://www.autoadmit.com/thread.php?thread_id=5831690&forum_id=2"#49653468) |
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