Adams assured her it could be done, but the insecurities over her financial health and the momentum of her career remain years later. There’s no longer a pressure to say yes to every offer, and she’s learned not only to negotiate her salary but to revel in the process of standing up for herself, yet she’s filling her schedule with as many movies and series as she can pack in. “If I wanted to take a six-month break, I don’t have income to cover that,” she says. “I don’t have someone supporting me, I don’t have anyone I can turn to, to pay my bills or call for help.” Surely HBO paychecks afford a lifestyle immune from rising gas prices? “They don’t pay actors like they used to, and with streamers, you no longer get residuals,” Sweeney notes. “The established stars still get paid, but I have to give 5 percent to my lawyer, 10 percent to my agents, 3 percent or something like that to my business manager. I have to pay my publicist every month, and that’s more than my mortgage.” It’s not that she wants people to feel badly for her, but she is adamant that the luxuries of the job not gloss over the realities of the business. To stay relevant as a young actress, particularly one so deeply entrenched in and reliant on the internet generation, requires investment. There’s a lot of press to do, and the associated costs — styling, tailoring, hair and makeup, travel — aren’t always covered by a network. She says this is what motivated her pivot into brand deals, taking gigs as a Miu Miu ambassador and starring in an Armani beauty campaign: “If I just acted, I wouldn’t be able to afford my life in L.A. I take deals because I have to.”

(http://www.autoadmit.com/thread.php?thread_id=5162529&forum_id=2)#44926451)

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(http://www.autoadmit.com/thread.php?thread_id=5162529&forum_id=2)#44926847)