Chloë cheerfully admits to blowing off Meisel, one of the most important fashion photographers alive. (This seeming indifference to marketing herself may be her most attractive quality. It may also be canny.) To call Chloë elusive is an understatement: contacting her is a matter of triangulation—calling friends, calling her parents, calling Liquid Sky, the boutique on Lafayette Street where she has been working for the past year. When an appointment is made, it’s not always kept, particularly if it’s before afternoon. And when you find Chloë—when she’s right there, sitting across the table from you at Jerry’s or Odessa, in a tight black sweater she bought in Darien for three dollars embroidered with French expressions like “Affaire de Coeur” and “Cherchez la Femme”—you may find yourself still looking for her, looking for something more. It’s a neat trick to be able to suggest hidden reserves—to be a tabula rasa and seem to be the Dead Sea Scrolls—and Chloë’s friends all eventually allude to this sense that she is holding back. “She just sits there,” says her friend Rita Ackermann, a Budapest-born artist, “but she controls the whole scene. That’s her charisma.”

(http://www.autoadmit.com/thread.php?thread_id=2896486&forum_id=2)#28021543)