taking qs on all things guitar and studio recording related
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Date: April 23rd, 2025 6:12 PM Author: azure razzle telephone rigor
I'm sure Santana's bass player was technically excellent. But he didn't write the songs. Your job as a role player is to service the song. Everyone in the room accepts Santana is great and he's there to do His Thing. You're there to do what he tells you and everyone gets a check and goes home happy. Bands take a disastrous turn when the role players start imagining that they're a big reason for the band's success. This happens all the time and can ruin a great thing.
I think with the advent of Spotify and Napster destroying record sales it got harder and harder to pay the session guys. Now factor in for touring you have to pay hotels (like basic hotel anywhere now is 300 a night) and food plus a salary. It's so expensive to pay bands anything. The sidemen used to have a nice life.
Imagine offering someone 50,000 a year to play 200 shows, hang out in decent hotels, drink and do drugs, and bang groupies. Now where is that money coming from? There's 0 dollars in record sales and streaming. There's a small amount of money in merch. Most comes from touring. Now you're, you know, you're offering that same guy 20k a year and you're living in a van/shit motels, and you're not that famous because you've been overtaken by rap and pop music in popularity and there aren't any good looking chicks around. And all the money is made on the margins.
This is why rock is dead. If you're not as big as the Chili Peppers you can't pay 4 guys who are really good at what they do.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48875181) |
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Date: April 23rd, 2025 12:02 AM Author: azure razzle telephone rigor
I prefer AddictiveDrums. Easier to use, more variation. Ironically both companies are Swedish for some unknown reason.
From what I can recall 90s effects processors were not good. I already have a computer I don't know why I'd get a decades old computer.
I'll tell you which way the industry is going though. Everyone is gonna go to plugins. Every pedal and effect company is going to make a plugin version of their effects. Everything is going digital. Every pedal that exists will become a plugin if it hasn't already.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48872782) |
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Date: April 23rd, 2025 12:05 AM Author: topaz mad cow disease
They aren't good but that's part of the charm.
Also the old delays and chorus and shit sounded a bit different and 90s ish
Like it's really hard to get these same shitty sounds on my Helix
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48872790) |
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Date: April 23rd, 2025 11:24 AM Author: topaz mad cow disease
for shoegaze you will want a guitar with humbuckers.
A lot of those shoegaze guys used a Roland JC 120 and a fuck ton of effect pedals (example - this is Neil Halstead of Slowdive's current pedalboard that he largely uses with a JC 120 - https://spaceecho.chromewaves.net/wp-content/uploads/2023/09/slowdive-pedalboard-1-1024x1024.jpeg )
A JC 120 is huge and more amp than you need.
I have been very very happy with my Line 6 Helix modeler - it has endless effects and even models obscure pedals and amps and shit. People really like the Axe FX, Quad Cortex, etc even the Headrush. You could even get a Line 6 Stomp XL that is far smaller than a regular Helix but has all of the same effects and amps etc. Not much you can't do with one of these.
Then get a PA speaker to play it through. I got a specialized Fender modeling amp made specifically to play modelers through and it rocks (and looks like a fender amp)
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48873599) |
Date: April 23rd, 2025 9:08 AM Author: topaz mad cow disease
Thoughts on the EVH Frankenstein series guitars?
I got one and it's the most fun guitar I ve ever held. Makes you want to just rip. A bunch of guitar player bros of mine said the same thing when they played it.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48873314) |
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Date: April 23rd, 2025 12:47 PM Author: azure razzle telephone rigor
Both. The trick now is to get composite tones. Virtually all hard rock tones consist of multiple layers of tones.
I have gotten great tones from micing an amp and I have gotten great tones from an amp simulator. I will say that with the simulator it's a lot faster to dial in something that works. With an amp you have to play around with it a lot. Amps are a lot like sorcery. It's more like casting a spell. You try stuff and just hope it works.
The one thing I can do better with sims is make guitars that sound really punchy in the mix. Real amps don't naturally sound punchy. They're ultra compressed and just sound very uniform, like someone with a monotonous voice. With amp sims you turn a few virtual knobs and you can get a really exciting punchy sound that cuts through your mix. So hopefully some day I figure out how to do this with a live amp. I have tried lots of production tricks to achieve this but I haven't cracked the code yet.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48873921) |
Date: April 23rd, 2025 5:37 PM Author: azure razzle telephone rigor
Update: I just switched out a cabinet of Celestion greenbacks for Vintage 30s. Immediately regretted it. I don't like the tone at all. It's somehow overly piercing and astringent.
It could be because I'm using a mid gain amplifier and not something for heavy tones. V30 probably works better with a Dual Rectifier or a 5150 or something. But I'm using a vintage Marshall and it sounds like ass.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48875106) |
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Date: April 23rd, 2025 6:26 PM Author: Amethyst public bath
if they’re new maybe they just need to be broken in. that said v30 aren’t my favorite for mid gain tones either. i actually liked how they sounded on cleaner tones iirc
do u have any experience with neodymium speakers? i’m thinking about trying neo creambacks in a vertical 2x12(maybe the orange one but probably a zilla or something)
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48875214)
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Date: April 23rd, 2025 6:57 PM Author: azure razzle telephone rigor
They very well made need to be broken in. Somehow they sound worse on clean tones than with distortion. I was playing my greenbacks last night and it sounded so sweet both clean and with gain it blew my mind. I might just be a greenback purist. V30s I think of as needing a metal-style amp.
Neo-Creambacks imo they don't have a lot of bottom end. They sound exactly like V30s but with no bottom end. People think they sound 'fizzy' and have too much treble but I'm pretty sure they sound identical to V30s in the midrange and up. They just have the reputation because they don't make any bass frequencies.
If anything you can't truly learn anything from online demos until you have them in your studio you don't really know how they sound. I am pretty sure I am well on my way to becoming a greenback 4x12 purist. I'm ordering a Marshall cab soon.
(http://www.autoadmit.com/thread.php?thread_id=5714761&forum_id=2],#48875271) |
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