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“I’m cumming Judy” u say to Judy Garland on Oz set in 1938 as u contemplat
| ;.;,;.;,.,,;,,.,.,; | 09/29/25 |
| titty caca | 09/29/25 |
| ...,,..;...,,..,..,...,,,;.., | 09/29/25 |
| titty caca | 09/29/25 |
| ...,,..;...,,..,..,...,,,;.., | 09/29/25 |
| Trust If Aryan | 09/29/25 |
Poast new message in this thread
Date: September 29th, 2025 2:26 PM Author: ;.;,;.;,.,,;,,.,.,; (http://www.autoadmit.com/thread.php?thread_id=5781083&forum_id=2Elisa#49311841) |
Date: September 29th, 2025 2:28 PM Author: titty caca Isn’t her real name something like Frances Kikenbaum? (http://www.autoadmit.com/thread.php?thread_id=5781083&forum_id=2Elisa#49311845) |
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Date: September 29th, 2025 2:29 PM Author: ...,,..;...,,..,..,...,,,;.., Garland wasn’t Jewish, but several of her romantic partners were, including two of her five husbands. Many of her best-known songs were the product of Jewish songwriters, and some critics and historians have made the case that her musical role model was the Eastern European shtetl-born Asa Yoelson. That’s Al Jolson to you. Even the stage name given to Frances Ethel Gumm came from a Jewish entertainer — the most famous star of vaudeville, the New York City-born George Jessel, who once reportedly said, “I think that I ought to tell the folks that it was I who named Judy Garland ‘Judy Garland.’ Not that it would have made any difference – you couldn’t have hid[den] that great talent if you’d called her ‘Tel Aviv Windsor Shell’.” Still, good thing he didn’t.
https://forward.com/culture/music/433669/the-secret-jewish-history-of-judy-garland/ |
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Date: September 29th, 2025 2:30 PM Author: titty caca Asa Yoelson, lmao
I had no idea |
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Date: September 29th, 2025 2:34 PM Author: ...,,..;...,,..,..,...,,,;.., With his dynamic style of singing, he became widely successful by extracting traditionally African-American music and popularizing it for white American audiences who would be unwilling to listen to it when performed by Black artists.[9] Despite his promotion and perpetuation of Black stereotypes,[10] his work was often well-regarded by Black publications, and he has been credited for fighting against Black discrimination on Broadway[6] as early as 1911. In an essay written in 2000, music critic Ted Gioia remarked, "If blackface has its shameful poster boy, it is Al Jolson", showcasing Jolson's complex legacy in American society.[11]
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Date: September 29th, 2025 2:34 PM Author: Trust If Aryan (http://www.autoadmit.com/thread.php?thread_id=5781083&forum_id=2Elisa#49311874) |